With the quarantine keeping us all in lock down we’ve all been looking for ways to keep in touch with our jiu jitsu practice. My instructor, John Lawrence, has been posting regular YouTube content, and even started a new podcast. You can listen here where he talks about a variety of topics including street vs sport jiu jitsu, solo drills, his own journey through jiu jitsu and updates about the school.
YouTube has turned out to be a great way for schools to keep in touch with their students. It helps to keep the camaraderie and enthusiasm up with the members and seeing new content is something that I personally really look forward to.
This video popped up on my YouTube feed today. Steven starts off the video with a great point where he is talking about what the best throw is for a transition to the ground for BJJ. His point is that it depends on what kind of a player you are. Depending on if you are more comfortable playing top position vs bottom will dictate what kind of throws you’d use to get you to that position.
He also talks about the degree of physical exertion and conditioning that is required to really throw someone. As he says, you’re trying to throw someone 180lbs (or more) who is fighting the whole time to not land on their back. This requires a ton of effort.
The setup that he uses in this vid is an Uchi Mata to a foot sweep to an ankle pick. It’s not only a nice combination, in my opinion a foot sweep is less physically exhausting than a throw, single leg or double leg take down. The combination he shows here is nice in that it leads your partner down a path where they have to give up the foot sweep if you do it right. This takedown finishes with you in a good top position.
The second takedown he shows will land you in an advantageous guard position in the event that the takedown doesn’t work. He calls it a “safe guard pull that could potentially be a takedown”.
Catch wrestling is a brutal combat style of grappling developed in England during the 1870’s. It was used by laborers and dock workers to pass the time at work, and picked up by sailors who traveled the world, collecting techniques which helped to grow the style. It has roots in various wrestling styles including Irish Collar and Elbow wrestling, and is also known as “Catch-as-Catch-Can”. Catch-as-Catch-Can refers to the way that catch wrestlers will attempt to grab any submission available. This approach to submission hunting differs from the typical jiu jitsu approach, in that a jiu jitsu practitioner typically aims to establish control prior to hunting for submissions, while a catch wrestler’s approach is to explosively grab for submissions from any position. This approach can take other wrestling styles off guard, and open up opportunities for other submission attempts based off the reaction of their opponent in these attempts.
Catch wrestling found it’s way to America where it was used in carnivals as a type of entertainment combat sport, and today professional wrestling tips it hat to catch wrestling. In Brazil during the heyday of Vale Tudo Catch Wrestling was used effectively by Luta Livre fighters against jiu jitsu fighters. Catch wrestling emphasizes inflicting pain and pressure on a fighter’s opponent to cause them to move in a way that the catch wrestler can take advantage of. Kazushi Sakuraba famously used his catch style to defeat Royce, Royler and Renzo Gracie.
Neil Melanson is a huge proponent of Catch wrestling, and I’ve written about his instructional material here before. His approach to grappling is novel if you come from a pure jiu jitsu background, and well worth checking out.
Today one of my team mates sent me the video below from the Snake Pit. Here we see how to counter the De La Riva with leg locks. There is a nice heel hook and toe hold available when you’re stuck in a De La Riva guard. After seeing the techniques in this video I was struck by the simplicity of the submissions, and was surprised at how obvious they were as options, and also how I had failed to see them in spite of the many times I’ve been caught in De La Riva.
Ramsey Dewey shows variations of the rear naked choke in this video. He talks about why it’s a bad idea to tuck your chin to defend a rear naked choke, and shows how a well connected choke can dislocate a jaw and still choke someone in the process.
I especially like the one armed choke variations he shows in this video. I’ve been giving up on the RNC lately because I can’t seem to get it. My partners will tuck their chins or fight for wrist control and I haven’t been able to get past that. Looking forward to trying some of this next class.
I spend an irrational amount of time watching jiu jitsu videos on YouTube. Certain channels I come back to over and over again. Here’s a list of my favorite YouTube channels of 2019, hope you enjoy them too.
Priit Mihkelson is a black belt from Estonia who trained under SBG found Matt Thornton, and a member of the Brazilian Jiu Jitsu Globetrotters. I just found out about him last week when a friend that I train with sent me one of his videos. Since then I’ve traveled down the rabbit hole with Mihkelson’s material. His approach to jiu jitsu is very scientific, and from the videos I’ve seen he challenges some of the conventions that we’ve come to know in jiu jitsu.
The video below is a perfect example of challenging conventions. The guard break that he shows is essentially a stack pass. He says that we should sit in guard with “active toes” rather than flat feet (I think he’s calling flat feet “seal feet” in the video). His contention is that we should be on our toes, and pressuring down towards our partner so that we can react to things better. He’s not against posturing back, or standing up, but says we should also explore posturing into our opponent when we’re stuck in closed guard.
I’ve tried this pass a couple of times at class this week, I was able to put some pressure on my partners that they weren’t expecting, but I couldn’t quite get the legs to open to pass the closed guard. I’ve since re-watched this video and noticed that I didn’t have the correct angle. I took better notes, and will give this a try in the next class.
He’s also got a few videos for sale at BJJ Fanatics, which I’m looking forward to getting as some point. This one in particular I’m interested in:
Bernardo Faria just released this video with Xande Ribeiro on guard retention. Ribeiro hasn’t had his guard passed in competition since 2005. That’s 14 years of matches without a single guard pass from his opponents. Amazing.
He talks a little about how he uses his frames to get into a “geometrical position” that allows him to extend pressure into his opponent. He calls this the “Diamond Concept”. I have to study this more, but it seems that there are two factors at play. One is always connecting your elbows and your knees to create frames. The second is to extend yourself away from your opponent using those frames so you can recompose guard.
I’ve been playing with the rubber guard lately. I like how it frees your hands up when you’re using a closed guard. Seems to make it easier to get submissions going that way. And having one of your legs in the high guard makes slipping into triangles and omoplatas really smooth if you can get them.
This video has some great details. Eddie Bravo walks through a few of the control points of the rubber guard like the “double bag”.
We worked on this throw a few weeks ago. I was having trouble getting the angle right for the end of the throw. After watching this video a few times I think I see what I was doing wrong. I was trying to throw backwards, but Osiander emphasizes laying to your side at the end of the throw. Will have to continue to work on this one.
I’ve been on a Gordon Ryan kick lately. Specifically his guard passing. I’m trying to get my guard passing sharpened up (sometimes it feels non-existent), so I’ve been studying a lot of guard passing on YouTube. I found this great list of videos analyzing Gordon Ryan’s guard passing.
What’s particularly interesting to me is that to pass in the style of Gordon Ryan, you put your hands on the mat, distributing your weight to your hands while your legs and hips float freely, allowing you to pummel your legs around your opponents.
I’ve always that you should stay heavy on your opponents legs when passing, but this style of passing is opposite of that. I guess in practice the style of passing will change depending on how you want to pass, and what your opponent throws at you. It’s nice to have options.